Personal Economy #6

I used to teach college. Straight out of grad school I landed a full time job teaching at a university in NYC. I took it and I moved to New York. In Chicago-money I would have been well off, but in New York as a full time faculty member at a university, my standard of living was worse than my standard of living as a grad student in Chicago. One of my colleagues said to me “I wouldn’t move to New York for less than $75,000” wish she’d told me that before I moved, I wasn’t making close to that.

After that year I returned to Chicago and started to teach part time at an art school and a couple of universities but had to take other part time and freelance jobs in order to be able to afford to teach. I worked at galleries and museums doing installation work. I taught more classes than a full-time faculty member for two years, just divided over multiple schools. But still I added career development adviser and an admissions officer to teaching and prep work to pay the bills. I worked 5 or 6 days a week, usually each of them at a different job so when I came home from building walls or hanging art I had to shift gears and write a lecture for the next day.

I received my contract for my third year at the art school and found that despite all of my teaching experience and professional accomplishments (museum shows, awards, reviews, etc) I was literally tied for the lowest paid person on faculty. I got paid as little to teach as anyone could at that school. I was offered the same money as someone who had just finished school, had never taught and never exhibited and, of course, still no benefits. When I complained about my contract amount I was told, “tough, you’ll get a raise next year” and “you can apply for a merit raise” I wasn’t even asking for a merit raise, I was asking for parity, for fairness. Because I was team teaching and didn’t want to abandon my collaborators I agreed to teach that year but told them I would not return the following year. I ran into the Dean in the elevator and she tried to convince me to stay, saying that I was a valued colleague and an important member of the school community, she wasn’t able to explain why my contract didn’t reflect that. Now I just work those freelance jobs I worked before, I make about the same money, don’t have to stress out about lesson plans and the like, have more time to work on art and get paid as a visiting lecturer to speak to classes at that same school multiple times a semester. I still don’t have heath insurance.


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I am an interdisciplinary artist who makes sculpture, drawings, photographs, performances and installations. In the years 1989-1992 I made enough money off the sales of my work and grants to survive. Then my gallery stopped paying me regularly, (a very prominent NYC gallery), and then stopped paying me at all. I made a deal with


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Art Work is a newspaper and accompanying website that consists of writings and images from artists, activists, writers, critics, and others on the topic of working within depressed economies and how that impacts artistic process, compensation and artistic property. The newspaper is distributed for free at sites and from people throughout the United States and Puerto Rico. It is also available by mail order from Half Letter Press for the cost of postage.

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