Personal Economy #16

I’m an artist and a curator. I work at a small museum in the desert of Southern California. I like my job and I get to put together cool art exhibits and events, but I also yearn to operate my own art space. I’m young, I have to work, I have debt from college, and I don’t have money to move wherever I want or to purchase or rent a storefront. I attempted to get property owners to donate the use of their unused space, but couldn’t get anywhere, and I often have trouble convincing people from San Diego or Los Angeles to come to my art events. So this year, in an attempt to gain mobility (I’m a SoCal bicyclist who never owned a vehicle) and to open my own flexible alternative space, I purchased a 25-year-old Volkswagen Vanagon and have been hosting art events out of it. I call it the Vanagallery.

During a residency at University of Pennsylvania’s 40th St. Studios a few years ago, I created a giant quilt-map of all the food trucks in my neighborhood and I led walking and eating tours of the trucks and published zines about them. I love to eat. And I love the social aspect of eating in public. When I was in high school and college (and after college too) and I was dreaming of starting my own museum or art gallery, I was working at various “Pizza Parlors” to pay the bills, making sandwiches and salads and tossing or delivering pizza. (I even tried working in a food truck for a little while!). While I enjoy eating, I’m only a “so-so” cook. The exception is pizza. I am a pizza expert. I put on squash, tuna, spinach, beans, sriracha sauce, anchovies, soy “meat,” sauce and olive oil over a whole wheat crust. My family and friends tell me I should open a pizza place but I don’t want to open a restaurant. I couldn’t afford it and I don’t want to work all the time in a hot kitchen! A pizza place/art space? Heaven! But no need to wait for the perfect conditions: I have started up the Painting and Pizza Delivery from the comfort of my car. I commission artist friends to paint, collage or otherwise design a pizza box of artwork. On the night of delivery, people call up and order artwork and they get a custom pizza too. Selling art is hard, but everyone’s used to shelling out dough for some pizza. I pay my expenses and have a little pocket change left over.

I really like flea markets and garage sales. I’m a packrat. But I don’t use any of the stuff. And it’s gotten bad enough that I can’t move around my art studio for want of floors, counters, tables covered in stuff. I recently hosted a “Recession Special” flea market to get rid of keyboards, tape players, stereos, cd’s, books, tools, etc that I pick up at garage sales and look good but I’ll never quite get around to using them. I’ve been burned from Craigslist and ebay enough that I preferred to just give stuff away and make it a fun event. I’m hyperglycemic and every art event I’ve attended has wine or other alcohol so I served unsweetened iced tea and fruit from the farmer’s market and asked my friends to DJ some dubstep. I think it cost me $8 to hold this event.

I guess it’s obvious that I like to combine food with art. And music. I’d love to be paid to put together art events and exhibits at different museums, galleries, schools, libraries around the world. I think I can do it. But I want to start now, so I’ve got my Vanagallery. I’m working on building a zine library, hosting film screenings, curated exhibits, and ice cream and art vending from the side of the van. And if I lose my job to the recession, it’s got a bed in it and a table, and I’m ready to hit the road.

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ART WORK at Carnegie Mellon University’s Miller Gallery, Feb. 1-28

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ART WORK
A National Conversation About Art, Labor, and Economics
Through Feb. 28, 2010

Newspaper + Website Contributors:
Temporary Services, Julia Bryan-Wilson, Lize Mogel, Holland Cotter, Anonymous, Jen Abrams, Louise Ma, Carl Tashian, Rich Watts, Caroline Woolard, Nicolas Lampert, Robin Hewlett, Gregory Sholette, Harrell Fletcher, Scott Berzofsky + John Duda for The City From Below Organizers, InCUBATE, Linda Frye Burnham, Chris Kennedy, Tim Kerr, Nato Thompson, FEAST, Dan S. Wang, Nance Klehm, ILSSA Co-Operators, Cooley Windsor and Futurefarmers, Brian Holmes, Adam Trowbridge + Jessica Westbrook, Nick Tobier, Lolita Hernandez, Stacy Malasky, Nate Mullen, Aaron Timlin, W.A.G.E., Dylan A.T. Miner, Anthony Elms, Carolina Caycedo, Guerrilla Art Action Group, 16 Beaver Group, Damon Rich, W&N, Teaching Artist Union, Harold Jefferies, Marc Herbst and Christina Ulke for the Journal of Aesthetics & Protest Editorial Collective

For the month of February the Miller Gallery displays and distributes Art Work: A National Conversation About Art, Labor, and Economics, a free newspaper that consists of writings and images from artists, activists, writers, critics, and others on the topic of working within depressed economies and how that impacts artistic process, compensation, and artistic property.

Art Work was produced by Temporary Services, a Chicago-based group composed of Brett Bloom, Salem Collo-Julin and Marc Fischer. Temporary Services produces exhibitions, events, projects, and publications. “Our name directly reflects the desire to provide art as a service to others. It is a way for us to pay attention to the social context in which art is produced and received.”

Miller Gallery

About

Art Work is a newspaper and accompanying website that consists of writings and images from artists, activists, writers, critics, and others on the topic of working within depressed economies and how that impacts artistic process, compensation and artistic property. The newspaper is distributed for free at sites and from people throughout the United States and Puerto Rico. It is also available by mail order from Half Letter Press for the cost of postage.

Distribution

Art Work is being distributed throughout the 50 United States and Puerto Rico (among other locations). To find a hard copy of Art Work near you, please read on.